I am in a stretch of 5 days alone as the kids are on spring break. I’m not on break at the same time, but somehow that makes this time even sweeter. It’s strange for me to get my own self ready for work and focus on only that without the constant hum of school bus schedules and packed lunches and homework in the background. I’m grateful for this few days in front of me.

Friday night I saw Patty Griffin in concert in Atlanta. I sent a hurried text to a friend a couple months ago when the tickets went on sale, and she said yes, so we jumped on it together. It took some planning and last minute rushing to get kids squared away just in time to head downtown and grab dinner before the show.

I’ve been a fan of hers for so long, and I can’t even count the lines that have echoed in my head and on my speakers when I need a little direction. I was listening to “Forgiveness” as I drove to my grandparents’ house that sunny Sunday morning when I got the phone call that my grandmother passed. I had that song on repeat so much during my grandmother’s last weeks. It hit the spot for some unknown reason, as music always works that way. And I raised my voice to the air, and we were blessed. 

And a couple of years before that, “Let Him Fly” was on repeat in the earliest weeks, when I was still living in my married home and couldn’t get a minute to think or be alone. I’d take the long way to the grocery store or on the road to an errand and listen to it on repeat like a mantra. It would take an acrobat, and I already tried all that.

She has been my nearly constant soundtrack for these last few years. Something about the solid simplicity of her voice and the call of her lyrics tell me everything is going to be okay. Let the rusty nail no longer hold this world together.. I’m going to let it hear the prayer, no matter who is there, no matter who is listening. Lately it’s “When It Don’t Come Easy” that tears me open and takes me somewhere I can’t get otherwise. I don’t know nothing except change will come, year after year what we do is undone, time keeps moving from a crawl to a run, I wonder if we’re gonna ever get home.

When we left the show, I said to my friend that Griffin is just so solid and real and true. Those were just the adjectives that came out at the moment, but they are also the most fitting ones to say. In a world of Botox and airbrushing and constant reinvention to appease whatever is trending, I think it’s so beautiful to see someone who knows herself well enough to deepen what she creates in the way she has. (This quick PBS interview is a great commentary on that, too.) It was such a great night – and a reminder to me that, at the heart of it, truth and beauty are the same thing.

I’ve been thinking a lot lately about aging – about the ways I feel old and the ways I feel young. Most of all, I’m just feeling like I’m only now getting started. I think it is that first half / second half idea that Richard Rohr speaks so much about (and Jung wrote about it  before he did). I’m only now beginning my second half, so to speak, and everything just feels so vast and wide and deep and true in a way it wasn’t before. What a gift it is that the magical second half really doesn’t depend on how much time has passed or how much time is left, but it’s a change of perspective. It’s not guaranteed for everyone, and it is usually brought about through pain and surrender, but it’s so worth it.

Last week, in passing, I heard someone talking about life and growth and the way she phrased it was that she is “doing so much better in life than they are” and that line rolled around in my head for a while – I don’t even know who the specific they refers to exactly, and this was just quick passing conversation. But it just made me think about that whole better in life perspective that I don’t understand at all anymore. (And to be fair, no judgment. This person is young and square in the middle of those early years where necessary score-keeping and comparison are your ways of life.)

I was reading through some of my daily Richard Rohr email meditations last week, and he elaborated on Jung’s theory of individuation – “the lifelong project of becoming who we were meant to be.” This resonated with me and what I see around me. Rohr says, “How counterproductive our popular culture [in the United States]—with its fantasies of prolonged youthful appearance, continuous acquisition of objects with their planned obsolescence, and the incessant, restless search for magic: fads, rapid cures, quick fixes, new diversions from the task of soul.” I think the thing I’m realizing, and the example I see in artists like Patty Griffin, is that you cannot participate in that chase while also participating in your own individuation. The two processes are mutually exclusive. Rohr continues to explain that if you can pass that threshold to the second half, you “will be freed from having to do whatever supposedly reinforced one’s shaky identity, and then will be granted the liberty to do things because they are inherently worth doing….Ultimately, our vocation is to become ourselves, in the thousand, thousand variants we are.”

There’s so much freedom to be had when you stop playing the game. I could feel that in Griffin’s presence and you can feel that in the art produced by others who do the same. You can feel that in the lightness that illuminates people who compose their own lives in that space of freedom, too. When you aren’t playing the better at life game and you just do your own thing and pause long enough to hear that still and small voice, you stop keeping score. You stop comparing. You draw closer to your vocation and your life starts to take its own shape around you – solid and real and true. Truth and beauty are the same thing.

 

 

 

 

 

 

 

 

 

 

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